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Lucile Boiron / BoucheIn line with her previous works, the series Bouche delves into the artists family intimacy to probe the boundaries between the monstrous, the mundane, and the desirable. Fragments of bodies, striking close ups of mouths, remnants of decomposed meals, altered skins, enigmatic still lifes, and indeterminate gelatinous materials are featured. Drawing inspiration from the reflections of Julia Kristeva and Barbara Creed on abjection and the monstrous

It is an intimate portrait of youthful innocence that reveals a play with clothes

some universally readable

a kind of persistence and eagerness to exhaust all possibilities that does not exist in the wholly innocent play of a child

“The images capture moments that arise when lost in thought

by contrast

presenting viewers with a visual dialogue that spans both the historical ruins and commonplace locales

the subject evolves

For ‘Sandcastles And Rubbish’ a change in materiality took place

torn and flawed beings

turning photojournalism into a competitive industry and commodifying tragedy

“The Cabinet of Traces” is a tool that feeds the imagination

photographers