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No Title HerePublisher's Text: Jeff Mermelstein began photographing Asbury Park, New Jersey, in 1981 on a quest for taffy rich colors and seedy atmospheres. Mermelstein was mesmerized by the sights: a pink lady at a baby parade; a startled bag lady dressed in red; a cat show judge named Mr. Friend. Trips to Asbury Park and beyond soon grew to encompass a much broader spectrum of American life from commercial sets, trade shows, and wedding parties, to dog shows,

Combining references to pride flags and slang from the queer community

Back at my home in London I set about forensically photographing these found objects as if they were precious archaeological artefacts that might help us make sense of the complex relationships and politics of the place

who live in the environs that Walters chooses as his subject

resulting in a well-documented work of great cultural and historical importance

From tiles to wrought ironwork

Mark Coetzee (art night co-ordinator)

where art and politics have long been considered close companions

Makhubu's 'Akukho Muzi Ungathunqi Ntuthu – Local Knowledge as Creative Rebellion' observes Ka Zenzile’s relationship with institutions and bureaucratised knowledge practices

An earlier version

and cultural historian

elderly women and hi-tech workers – to take pictures and document their lives from their own perspective

and willing to let go of what they know

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